Portfolio feature in the British Journal of Photography May 2015.
I came across this work in the recent issue of the British Journal of Photography.
Evgenia Arburgaeva was born in town Tiksi located in the Russian Arctic, she is the recipient of an Oskar Barnack Award for her study of her home town of Tiksi, above the Arctic Circle. She is a graduate of the International Center of Photography in New York and she works as freelance photographer.
This very engaging collection of beautiful, indeed haunting images of a solitary Weather Man living high above the arctic circle. I was really drawn to this work in the BJP in part because of the subject matter but possibly more for the painting like quality of the photographs. They have a dark almost monochrome quality, although they are colour, but the central subject matter in the images almost glows in the darkness of the rest of the frame. They reminded me of Dutch School paintings that give the impression of being illuminated from behind or within.
The prints in the BJP don’t quite do justice to the detail in the images and to see them a little better I visited Arbugaeva web site where her previous work is also available. I will comment on this in a subsequent blog entry.
The set conveys the vast and empty expanse of an arctic peninsula on the Bering Sea, as well as the solitary existence of the lone worker at Weather Station in an old Russian Lighthouse. The opening image of Vyacheslav Korotki, the Weather Man, is simultaneously benign but also a little I menacing. She has captured something of the solitude of his existence in that one image. The image of Korotki siting working at his desk is simply stunning in my view and has the feel of a old masters painting. There is a simplicity about the composition, yet the detail in the image tells so much about this place and the weather man himself. The image is a document, a small slice of history.
In all, these images capture both the human presence in this inhospitable land whilst recording the unforgiving nature of this world of darkness and ice. These are very inspiring documentary pictures.
The full set of the Weather Man can be found at:
Following up further the work of this photographer I found this interesting short video by Arburgaeva describing how she is drawn to her home, the arctic, how it recharges her energy. She is drawn to both the landscape and the people. She talks fluently about the emptiness of the tundra and how it is hard to photograph, how you have to look down, how you have to look harder. this is in sharp contrast to the sensory over load of the city. I was also intrigued bi the idea of time being ‘longer’ in a less interesting, less stimulating landscape. She also It is an escape from the city and all of the sensory overload. I found this particularly interesting, it forced me to reflect on my Square Mile assignment. I struggled with my perception the uninteresting nature of the landscape in which I exist. I need to review this thought, in terms of my ability to capture things of interest, things that say something meaningful about man and the land
There is much food for thought for me to consider when deciding what to frame in the viewfinder of my camera, perhaps more importantly though I can now understand some of the visual elements in her images, to me they freeze moments that record marks not only on the landscape, but also the trappings of existence carefully recorded in her interior scenes.
The video interview can be found here: